Emily I. Dolan joined the faculty at Brown University in 2019. Previously, she held positions at Harvard University and the University of Pennsylvania. Dolan works on the music of the late 18th and 19th centuries. She focuses on issues of orchestration, timbre, aesthetics, and instrumentality, exploring in the intersections between music, science, and technology.

Composer, electronic musician, and improvising pianist Anthony Tan (Canada) intersects notated instrumental practice with signal processing, synthesized models, sampling, and field recording, resulting in music that explores the identity of sound, and the fluidity of genre.

Daphne Tan is Associate Professor of Music Theory. Her research explores questions about music and the mind, with methodologies and perspectives from the history of music theory and cognitive science.

Michael Tenzer is active as a performer, composer, scholar, and teacher. As an ethnomusicologist his four books and many articles address topics ranging from aesthetics to category theory, and has been instrumental in the recent revival of music analysis techniques in the study of world traditions.

Musicienne et ingénieure de formation, je mène des recherches et enseigne dans le domaine de l'acoustique musicale, de l'organologie, de la psychoacoustique et de l'informatique musicale. Dès mon entrée en fonction à la Faculté de musique, je me suis engagée activement dans le développement de plusieurs secteurs académiques, de la composition électroacoustique à la musicologie.

Zachary Wallmark is a musicologist with an interest in popular music, timbre, and music cognition. Prior to his appointment at UO, Wallmark served on the music faculty at Southern Methodist University, where he also held a courtesy appointment in psychology.